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Friday, April 10, 2020

April 10 Napowrimo 10 GOOD FRIDAY (a verse play, in hay(na)kus )

Part 1 Mother Mary speaks:
I
remember you
As a child

That
Day on
The white sand

Making
Those pigeons
From the mud

And
when the
children came to

Destroy
mud pigeons
how you clapped

And
they came
to life, escaped

Flew
in the
sky, cross-shaped

An
awful foreboding
filled my heart

Today
you died
on the cross

I
wish I
was you, child

I
would clap
my hands, now

Make
my dove
alive, once again

My
tears
do fall down

Where
is God
or Gabriel now?

Is
this what
the end is?

No.
There must
be something more.

Part 2 Mary Magdalene speaks:

A
week ago
the children came

Waving
palm branches
and singing Hosanna

yesterday
you spoke
in dark sayings

Eat
my flesh!
Drink my blood!

Now
you hang
and are dead

Come
Get up
You freed me

Once
from devils
in my head

Where
is that
you, gone now?

My
tears once
washed your feet

The
same ones
now nail-pierced

I
perfumed you
with the spikenard

She
has done
this, you said

Against
my death
Now I see

What
you meant
Wish I didn't!

Part 3

Jesus:

I
wish I
could tell them

Hanging
here 'twixt
heaven and earth/hell

With
the keys
of death, hell

Paradise
Heaven and
souls of men

Dead
and alive
now all mine

But
it is
not yet time

It
ends not
Has just begun.


Painting: Christ of S.t John of the Cross by Salvador Dali (The Dark Night of the Soul)


Thursday, April 09, 2020

Napowrimo 9 Concrete Poem Well, not really (Title: Beauty, she is!)

The pleasure of writing on the back of a nude, sketched, female figure ;) (Title: Beauty, she is!)


Her wavy hair
eyes
nose
lips
her curving back
her hips
her moons of bliss
her thighs
her legs
Beauty, she is!


Image taken from Vectorstock

Wednesday, April 08, 2020

NaPoWriMo 8 April 8 Poem inspired by quotes etc. Title: Goodbye, Dad and Mom

Goodbye, Dad and Mom


"I began to talk like a Jew.
I think I may well be a Jew." - Sylvia Plath

"Oh, Daddy,
You know you make me cry" -  Fleetwood Mac

"Mother, do you think they'll try to break my balls?

....
Mama's gonna make all your nightmares come true.
Mama's gonna put all her fears into you.
Mama's gonna keep you right here under her wing.
She won't let you fly"...  Pink Floyd



When they came for me
they told me
"you are one of us.

Your ancestors
were from our religion.

Why did you leave us?
Come back home.

Don't try to convert us
We have the answers for that
No one can leave us
No one join us
And even among us
No one can go up the ladder
No one can climb down

'Nothing has changed since we began.
Our eyes have permitted no change.
We are going to keep things like this.'
You can't convert us
But, you "Jew"
you just try
&
your Daddy and Mommy will soon fix you.

Don't you know
we have answers for everything?
Your questions may be different, but change them, do.
Is your body weak?
Do Yoga.
Are you ill?
Try Ayurveda
or siddha vaidyam
and you will be fine.
Want no rebirth?
Go to Kailasa.
Is your soul sick?
Read the Bhagwad Gita.
Mind not enlightened?
Come to Vedanta.
Heart sick?
Embrace the bhakti marga.
Searching for mukthi?
Try our yukthi.
Don't call this conversion or baptism.
This is just cultural immersion.
Who was it said "Change is the immutable law in Nature"
So help us, Ram, we will kill that fellow!

Oh, dad and mom
lost in your chakravyuh
don't you know
the world has changed around you?
Anything you say
I don't have
as it is found
only in you
I found it all
outside too
Thomas the Apostle had it
and Thomas of Cnana
The Antiochians too
Siddhartha had it
The Sufis had it
Kabir did too
Akbar had it
& Asoka too
What can you give me
when what's lost has been found
what's to come has already been
that was not bought and paid for 
by the blood of the Lamb
when Mara fled when Buddha laughed
when Nanak spoke and many left
Hinduism and Islam 
when Zen and Tao is still there
when Confucius still speaks, though dead
what can you give me
except this lore
that this is my land
and it all began here
which is also not really true
It began in Africa, you know, you knew
and all land is holy and all land not (y)ours
we are its, and that the 'Redskins' knew
We have our own music
We don't need yours
Our own art, our own songs, and lyrics
Our own literature and culture too
Our own architectural spaces to woo
Do you want health for the body and medicine for its ailments?
We can give it to you too
through medicine, science, knowledge, research and reason now, anew
Do you want salvation
for the spirit?
Balm for the soul?
Enlightened mind?
Heart full of light and hope?
Intellectual thoughts to feed your mind,
Keep it satisfied?
It's all in our books, lit up in blue
Daddy, even escaping rebirth.
Don't give me the superior caste brew.
Truth is concave, convex and universal/global/international.
Daddy, for an instant, think of this:
If you were not there what would happen to Bliss?
Sat-chit-anandam?
Nothing would, it can't be added to
or taken from, don't you know, daddy dear?
That's the truth about any land
or religion or faith or caste/creed.
A world without us or a world without you?
Life would still go on, never fear!
Tweedle-dum and Tweedle-dee.
Kind King Lear, don't cry, Cordelia still loves you.
One day, too late, you'll know only I/she was loyal and true to you. 

"Oh, Daddy,
won't you give me your smile
for letting me know"
"I'm a bit of a Jew"

Oh, Mother,
Don't fool me anymore
Your little boy's grown up
and he's no Oedipus.
He don't need no one, now, anymo'
to tell him right from wrong.
good from bad
black from white
Eenie meenie mini mo
He ain't no nigga, no mo' you can't catch him by his toe
and say if he follows let him go, if he don't tell him no
He don't need no lies
in the name of land, caste, faith, religion, language, -sthan or -ism.
All he wants is love and fun
and compassion, grace, mercy and a bit of life under the sun.

Oh Daddy, stop fooling me with this game.
I don't speak your language
of fascism.
Open, Sesame.
I have my own discourse too.
If you want to, fit in it, please do.
Have you heard Mahavishnu Orchestra sing
"Are you ready to be
a planetary citizen?"
Give up your nationalism.
And "Mother",
stop trying to tell me
"she's dangerous."
I married her.
The one you thought
I should not,
your perceived enemy.
Now be at peace.
High time you learned
life and time flow forward,
not backward,
if you two really want to -
to find, in time, both ease and peace.

https://www.youtube.com/watch?v=OeEzmPs7i_U

















Tuesday, April 07, 2020

Napowrimo Day 7 April 7 (A Poem based on a news item) Wo/e/men (can) Rape Too

This is a boring prompt, for me, so I am gonna write rubbish that will shock and thrill all of you :D I've no inspiration and I am bored as hell. Planets raining iron, pink moons,  and new moons in Kentucky, and corona tragedies just don't cut it for me!

Khalil was a waiter, and we could not wait to err

We went to get a platter

From his pretty eater-

y. He came. We kid-napped the caterer

Khalil, the sexy waiter

Who said women can't

We can and we will

Took him to our house

Gave him drugged milk to drink

Then we made him shrink

Three of us, we raped him

Daily, for four days' sin

Then we threw him near the river

In Qayyumabad

We are rich, from Clifton

The men we taught a lesson

Women can also rape

The Rap we now await

From the cops of this town

Rape is always wrong

Continuing to Bosch it up :) - 2


Yes, why am I a dice?
They also say it as die
These humans
And why a five, four, two
hanging on a pitchfork
or in mid-air
and over a naked woman's head -
(to show it all is to be is diceworthy?
a woman is just an object to be gambled, a gamble?) -
bigger than my mates
on a table, three
far away from me
Why not one and three
or a six of me
me thus shown to advantage to all?
And why am I alone, denied
to rub with Lady Dice
on that brown surface
when all around me
men
and women copulate
men with women or mice
men with men
and women with women
and even men with beasts
and half-human, half machines
and birds and bees and flowers
fruits and leaves and towers
Why am I alone
left to hang here
for nothing
I can make out still,
only being a Thing?
Does not a Thing have feelings?
If you roll us don't we come to a stop?
And at the roll of a dice
are not kingdoms won and lost?
Women bartered and sold
their dresses removed and wars fought?
A dice is no mean thing
We decide destinies
At a twist of a wrist and a tumble
Give me my wish, someone
and paint over this thing
this damn painting
and put me on that table
with my six as the fable
so I can rub against
yon Lady Dice and Die.


Monday, April 06, 2020

Day 6 April Napowrimo Ekphrastic Poetry 2 The Da Vinci Goad

When I saw her, first, she was wearing a wine-dark bathrobe
and smoking a black cheroot in a long brown holder.
Drop it, Mona Lisa, I admonished her
and she did,

but the wrong thing!

Her whatsits popped out
and my eyes.
Now that was
something!
What tits she had
woulda blinded
me
if they had poked me
in my eye.

It was destiny, it was chance,
it was fate,
it was I Ching.

I started to paint
furiously
yet stopped frequently
to light her cheroot
but accidentally
trying to hide my bulge
I set her eyebrows
alight

All she did
was smile enigmatically
to hide her grimace of pain
& at my buffoonery
while I shaved them off
and set off on
the task of painting
again

The result
they say
is a masterpiece

But when she looked at it
she burst out laughing
and said
what the hell
is this mockery
all this vague scenery
behind me
my damn, missing eyebrows
and my covered-up whatsits?



Day 6 April NAPOWRIMO 6 Ekphrastic Poetry Garden of Earthly Delights by Hieronymus Bosch



"I got some news for you, sir"
A strange-looking creature whom I could not name told me.
"What news?" I asked, grumpily.
"We got the good news and the bad noose, sah.
Which one you want first, saar?"
The exceedingly strange-looking, nameless creatures had multiplied now
And said this in unison!
"Gimme the good news first," I said, "and keep the bad noose to yourself", I continued, still grumpy.
"Wokay, sur," they cheeped or chirped or chirruped or grumbled or groaned or grunted or mumbled or roared, I could not quite make out which as it was all done together but I could understand them.
They opened a triptych.
Then they showed me Hell.
I laughed and laughed.
The teacher who beat me till I cried was there in the nude being eaten by a giant bird in a chair -
with at least four, at least, if not twenty, blackbirds flying out of his ass into the sky (not pie!)!
I could make out it was him as we used to call him Black Bird, as that name sure suited him.
The chap who stole money from me was there shitting gold coins endlessly.
Hahaha.
The chap who always made me pay for his drinks was vomiting into the bottomless pit endlessly.
The woman who had 'unrequited' my love was being held prisoner by an ass, naturally, and made to look into a polished black surface of a monster mirror with two green legs, Shrek-like ones, while a stupid black frog (once her prince) travelled up from her bare breasts to do God knows what to her brain, which she had had none of or she would not have rejected me, in the first place, and ended up in hell.
The nameless, exceeding-strange creatures showed me sight after sight like this which made me chortle like a kid.
It was the garden of earthly delights, alright!
My name? Bosch, Hieronymus Bosch.

Sunday, April 05, 2020

April 5 NAPOWRIMO 20 Little Poetry Projects Black Rose

5th April
"Our (optional) prompt for today is one that we have used in past years, but which I love to come back to, because it so often takes me to new and unusual places, and results in fantastic poems. It’s called the “Twenty Little Poetry Projects,” and was originally developed by Jim Simmerman. The challenge is to use/do all of the following in the same poem. Of course, if you can’t fit all twenty projects into your poem, or a few of them get your poem going, that is just fine too!
Begin the poem with a metaphor.
Say something specific but utterly preposterous.
Use at least one image for each of the five senses, either in succession or scattered randomly throughout the poem.
Use one example of synesthesia (mixing the senses).
Use the proper name of a person and the proper name of a place.
Contradict something you said earlier in the poem.
Change direction or digress from the last thing you said.
Use a word (slang?) you’ve never seen in a poem.
Use an example of false cause-effect logic.
Use a piece of talk you’ve actually heard (preferably in dialect and/or which you don’t understand).
Create a metaphor using the following construction: “The (adjective) (concrete noun) of (abstract noun) . . .”
Use an image in such a way as to reverse its usual associative qualities.
Make the persona or character in the poem do something he or she could not do in “real life.”
Refer to yourself by nickname and in the third person.
Write in the future tense, such that part of the poem seems to be a prediction.
Modify a noun with an unlikely adjective.
Make a declarative assertion that sounds convincing but that finally makes no sense.
Use a phrase from a language other than English.
Make a non-human object say or do something human (personification).
Close the poem with a vivid image that makes no statement, but that “echoes” an image from earlier in the poem."

Black Rose

Hate is a black rose (Metaphor)
All roses are black (Something specific but utterly preposterous)
The fragrance of jasmine (Olfactory image)
The feel of your nipples between my fingers, your accepting lips, and turned-away-at-first-cheek on my lips (Two or three tactile images)
The canny tinge of cardamom in our lovemaking (Gustatory image)
The black that excludes all blacks (Visual image)
The cacophony of the ghost's laugh in your chuckle (Auditory image)
The ventriloquism of the petals in their blossoming into the fullness (Synaesthesia)
Anamika, Bengaluru (Name, place)
Love is a black rose (Contradiction)
When my friend, the poet died (Digression)
Aveesh, that thrishooran* (Dialect for a person from Trichur)
If he hadn't died I wouldn't have loved (False cause-effect) 
If he hadn't died I wouldn't have become a poet (False cause-effect)
If he hadn't died hate would not be a black rose (False cause-effect)
Kakke, kakke, koodevide? Róisín Dubh (dialect meaning crow, crow, where is your nest in Malayalam and black rose in Irish)
Is a red love the obverse of a hate rose? (Concrete metaphor turned inverse)
Black is black is black and nothing more or less or else (Image reversing its associative qualities)
Reader, I brought Aveesh back to life and had children by Anamika, thus betraying my wife (Doing the impossible)
That Kozhy* (Nickname for hen/cock in Malayalam), he (Third person) should be hung and quartered for such treasonous, adulterous thoughts
But what if he will resurrect, (Future tense)
The womanizing bard? (Adjective that is not normally used)
Then the black rose will unbloom (A declarative assertion that finally makes no sense)
IL MIGLIOR FABBRO (A phrase from a foreign language)
Old Possum's ghost still 'haints' us while the clock hammers out our dying life with a one and a two and a one or a two, relentlessly (Personification)
The petals, blackening, mayhap, in their un-demise ... (Refers back to an earlier image but is not a statement)




Black Rose (without explanation)

Hate is a black rose
All roses are black 
The fragrance of jasmine
The feel of your nipples between my fingers, your accepting lips and turned-away-at-first-cheek on my lips
The canny tinge of cardamom in our lovemaking
The black that excludes all blacks
The cacophony of the ghost's laugh in your chuckle 
The ventriloquism of the petals in their blossoming into fullness 
Anamika, Bengaluru 
Love is a black rose 
When my friend, the poet died
Aveesh, that thrishooran
If he hadn't died I wouldn't have loved 
If he hadn't died I wouldn't have become a poet 
If he hadn't died hate would not be a black rose 
Kakke, kakke, koodevide? Róisín Dubh 
Is a red love the obverse of a hate rose? 
Black is black is black and nothing more or less or else 
Reader, I brought Aveesh back to life and had children by Anamika, thus betraying my wife (
That Kozhy, he should be hung and quartered for such treasonous, adulterous thoughts
But what if he will resurrect, 
The womanizing bard? 
Then the black rose will unbloom 
IL MIGLIOR FABBRO 
Old Possum's ghost still 'haints' us while the clock hammers out our dying life with a one and a two and a one or a two, relentlessly 
The petals, blackening, mayhap, in their un-demise ... 





Saturday, April 04, 2020

Napowrimo 4 - April 4 -A Ballad About a Dream. (The Lay of Parsifal and Isabel)

There was a land called Beautiful
In which there lived Maid Isabel.
She had a dream of Parsifal,
The knight who made the maidens swoon.

Isabel was beautiful.
And Parsifal? In gold, his plume,
His armor shining, sword and chain-
Mail and buckler, helmet, hail!

Isabel did dream a dream,
A dark one that did make her scream.
Then Parsifal made with his spear
A wound that rent her fear in twain

In the dream. She then did laugh
And turned over, and slept a night.
When she awoke, the dream was gone
Strange, she forgot it next morn.

Parsifal came to that town
Where dwelt a monster like Grendel,
Fangdel who'd come once a while
To catch the maidens for Its fare.

Isabel knew she should not step out
But her mother ill, father gone to fetch wood
She had no choice but to make a short trip.
She had to go to fetch water to cook.

Isabel was near the well
When Fangdel suddenly appeared.
Tall was It, like a mountain dark.
It caught her in its paw and ran.

"Isabel," the whole town mourned
"Is stolen, ta'en to the demon's lair.
It will rape her, eat her, and then sleep,
Then come back for maids lovelorn."

Fangdel loved Isabel's face.
It set her gently down in place.
All around were dresses strewn,
Of women It had in two torn.

Isabel did faint away.
When she awoke, the beast did grunt
And groan in Its strange, fiend-tongue.
Isabel tried to slip away.

Fangdel caught her with an iron hand.
Tore off her clothes to make her repent,
Isabel flailed and Isabel wailed,
Alas, it was all to no avail!

It threw her on the floor and was
About to thrust Its bulk on her
When at Its den's foul, slimy door
Loomed the shade of Parsifal.

Like the sun on a murky day
Busting through in silver light
Like an answer to silent prayer
Bright gleamed the well-armed Parsifal

Parsifal did draw his spear,
Sharp its tip and long its reach.
A dreadful wound he struck Fangdel
Who ne'er had known the bite of steel

Fangdel thrashed and Fangdel roared
But the spear had gone deep in his heart
He died in a pool of black, fell blood
Parsifal watched with no delight

Then he turned to Isabel
And gently raised her up to stand
Where the monster had bit her
Was a wound that would kill her

For Its fangs were poison
By them It made Its victims still
Parsifal took out his trusty spear
And cleaned her wound, while she stood still

The wound was in her shoulder bare
Her face, it was surpassing fair
Parsifal gazed upon its grace
She longed for him to kiss her, there

For was not now her dream fulfilled?
Parsifal, with his golden plume
Knight of the Spear was before her
In splendid disarray, her fair

Bosom, trembling, beating, aware
From fear now to love's passion stirred
Parsifal stood watching the wound
Healing; he bore a magic spear

It could kill and it could heal
Its story has elsewhere been told
This is not the tale of that Holy Grail
But of Parsifal and Isabel

If found in such a predicament
Who can blame a knight, if he yields
To such fair temptation's bands
In such evil surroundings?

For she, to him, seemed like a star
In lust's dusty, dingy, gloomy cellar
And he wanted to kiss her bare
Shoulder and all her cares, away!

Parsifal took Isabel in his arms
Embraced and took her on that floor
Where the monster had wanted to rape her sore
Surrounded by women who had died there in gore.

Surrounded by their dresses, and stink,
Surrounded by their skeletons.
Life asserting itself in the midst of death.
Love asserting itself in the midst of hate.

His spear entered her woman-cup.
It shed its seed and did its part
In making sure the world would have
A new generation of brave folk.

Then Parsifal did kiss her hands
And Isabel did kiss his lips.
Then Parsifal did kiss her eyes
And her sweet, soft, milk-white thighs

When they looked up, the town-folk had come
They led them to the marriage hall
Parisfal left her,  after they wed.
A child roams the town now who resembles him.

She wields the spear wondrous well.

Fangdel

Isabel of Portugal by Titian


Parsifal of /fromWagner




















Friday, April 03, 2020

Napowrimo 4 - April 3 - The Battle of the Sexes (Rhymes and near rhymes, without using Rhymezone)

"No one can win the battle of the sexes as there is too much fraternizing with the enemy"

Women complain if men have wars
They also complain if men love fast cars
When they notice the man is still wet behind the ears
It becomes the cause for much of their tears

Women hate it to see men sitting around doing nothing
Nothing is not what they're doing, they're watching somebody's thong
They are also waiting for the dinner gong
They are wondering when the bell for it will toll

Women cannot understand the male of the species
Just as men cannot stand under or step down in this thesis
As to who is better or worse, as down the ages
No one will win the battle of the sexes
Men are too busy playing football
Women, in trying to take away their balls!

I could go on with this silly poem
Endlessly and say men: corona 'em or crown 'em
Men: as Kings of the jungle and all -
But my wife and daughters read 'em
My lame rhymes and havin' see'd 'em
Will brain me if I don' admit de wimmin, dey do stand taller or as tall!

(The famous Newsweek picture of Billie Jean King and Bobby Riggs)






Thursday, April 02, 2020

Napowrimo Day 2 - Nanthencode Then (a poem on a specific place/time/space or locality)

"....take a page or leaf from James Schuyler's chapbook (Pulitzer Prize winner) and write a poem about a specific place —  a particular house or store or school or office. Try to incorporate concrete details, like street names, distances (“three and a half blocks from the post office”), the types of trees or flowers, the color of the shirts on the people you remember there. Little details like this can really help the reader imagine not only the place, but its mood – and can take your poem to weird and wild places."


Poem 2.1.

Nanthencode Then

Although we no longer stay at Nanthencode
O junction 'tis of thee
I sing
My childhood memory
From and of its rich paucity
Your small side-road of a mud path from my first rented house
- Not being rich, it was a small house
That was my paradise
But it was the junction that was my palace -
That led to the butcher's shop
No longer there
Where hung slabs of pink-reddish chunks of meat
On hooks
Where first I saw blood, innards, and bone
And skulls of cows
Thankachen's shop in the center of the junction from which we always bought provisions
Sugar, salt, parippu, payaru, sweets, rice, and wheat....
Whose youngest brother was Unni who was my age
O junction, you had your drunkard MR (Radha, short for Radhakrishnan)
And your own version of the village idiot or madman in Oollen Paakkaren
You had your vegetable shop which also had cycles for rent and two small ones for children, one red and one green, as if just for me and my sister
Next to it was the ration kada with its green planks to shut it with and the sacks of rice,  kerosene in cans, wheat and kadala in rough brown sacks
And murukkaan kada
Your tea shop  just next to the small bus stop that was only two pillars and a tin-roof
With its brass samovar to make tea
And your miller and his shop, whose son was the locatough
Venu who was always good to me
You had your dhobi whose son Vinod was a madcap
But friendly with me
The dhobi who ironed with red coals in his isthiripetti
You had your Mao building! Imagine that, these days!
You had your center as a  circle with its flags
You had a locksmith's shop and forge
And a toddy shop
You had your Western bakery
With Binu and Biju who came to my mom for tuition for all subjects
With cream-filled cornets, plum cakes, and bread so soft it would melt in our mouths
Who studied, worked and were my friends too
Next to the bakery was Shivan's barber-shop and nearby an old rickety wooden staircase we loved to climb led to the kind tailor's shop we loved to go to
Fascinated by the many sewing machines in there, the zips, the differently-colored buttons, and his measuring tape
O junction with your one mangy brown stray of a street dog and many stray cats
O junction, you are my Malgudi
My Wessex, you are my Tbilisi!
My junction, yet never mine only!
Junction of my mornings, sunshine-noons, evenings, twilights and my nights
I immortalize you in this poem and in my story
Titled aptly "The Junction"
Not as you are now
But as you were then!
In my mind, you have not aged!
Babu's vegetable shop that came later is not a part of you
By this crazy logic
But the Mar Thoma church of the faction that split away (Evangelical) is!
Junction, I have you in me
And every detail is of importance to me
Vimal's cows let out in the daytime
And each post and their yellow, dim, lights at night
A symphony of sounds, smells, and colors
Shapes, touch, sights, and tastes
Fantasies and dreams!
O small junction, 'tis of thee
(Not the one in Google maps
Or the one as it stands today)
I sing my ode, forsooth!
I sing my elegy!

Nanthencode Now (unrecognizable and leaving me strangely unmoved!)















Wednesday, April 01, 2020

Napowrimo April 1 Prompt 2 Self Portrait

Prompt: "Today, however, I’d like to challenge you to write a self-portrait poem in which you make a specific action a metaphor for your life – one that typically isn’t done all that often, or only in specific circumstances. For example, bowling, or shopping for socks, or shoveling snow, or teaching a child to tie its shoes."

The metaphor for my life is something
no one ever talks about
except once when Judith Butler did it when I was lecturing on radicalism
and extremism in art
She came up front and spoke of it
She said it is something everyone does
but no one talks of
as they are ashamed to
but talking of it is my idea of being radical.
Maybe it was suggested by the synaesthetic metaphor
generator, I could say, and try to cover up 
but it is not as I had already planned to use it earlier
This is organic imagery
You have to guess what I am talking of as to say it
may make you think
but who would use that as a metaphor
You would not unless you felt it was like that
life
your life
something that has to be hidden 
then comes out and grows unexpectedly
and leaves a mess behind
Pleasure, then sleep
and children born
but mostly it is wasted
most of it
tonnes of it
What else is a metaphor, better
for life
my life
and wondering if I was a woman
and was writing of this as the metaphor
for her life
life
how it would be
and knowing that one cannot ever know
that
but this one can know
I need to break the suspense
or the ice
whichever you think is better
so let me tell you
what my metaphor is
it is nothing but
that my life
life 
is 
a lot like -
but before that
it is not such a low-down, cheap, dirty, filthy one; after all
I can make it sound great
by saying 
some worship it
and the explosion can be compared 
to the Big Bang
still & all 
one never talks of it
but let me be
radical
or extreme
or dare to be a fool
joker, clown, harlequin
on April Fool's Day
and say
my life
(your life?)
life
the perfect metaphor for it
an action, as the prompt says,
that describes it a hundred percent
is the most-people-do-it thing 
but never-discuss-it thing
which is nothing but the act of -
masturbation.


Painting of Natalia  by Schiavonni.








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