Canons | Literature DIY | Dr Ampat Koshy

Canons | Literature DIY | Dr Ampat Koshy

How To Enjoy a Poem: Taking the example of Langston Hughes' 'Harlem' or 'A Dream Deferred .' - Learning and Creativity

How To Enjoy a Poem: Taking the example of Langston Hughes' 'Harlem' or 'A Dream Deferred .' - Learning and Creativity

Indian English Literature, Literary Criticism and Theory - Learning and Creativity

Indian English Literature, Literary Criticism and Theory - Learning and Creativity

Keralite Writing in English-II | Literature DIY | Dr Ampat Koshy

Keralite Writing in English-II | Literature DIY | Dr Ampat Koshy

Poetry and Keralite Writing in English - 1 - Learning and Creativity

Poetry and Keralite Writing in English - 1 - Learning and Creativity

Written on August 18, 2012

The diary of leaving Leaving is not leavings. The landscape of a childhood with its plantain trees yams and creeping bitter gourd vines is the richest source for one's future discovered much later. The language unlearned is a loss. Living in books, printed pages and far away realms of the imagination is not enough, dear Breath Looking at the 'kaduvas' from a distance and not knowing what the others were up to, not being sunk in native soil as if they were oddments, all of it was something that added up to and increased my losses. Not that I don't hate the culture terrorists or the moral police and the religious fanatics but the broadening, widening canvas of colours also loses much specificity. Search for essence makes one lose all sense of belonging. The child now forever floats in an empty sky like those winged seeds, tiny parachutes in which unseen fairies cuddle my 'appooppan's thaadi' with its silvery gossamer filaments so ethereally beautiful, but searching desperately for crannies, places to lodge, safe catchment areas, sheer and mere good ground to call home and flourish but all that's left is the nature of the 'udumbu' Won't you love me? We are different and most of what you are or what I am will never be known by each other separated by languages and customs and rituals and rites and a million other things of strangeness and differences. Yet love me, please - sex is not a construct and touch, taste and smell can create memories - a new his and herstory that can overlay if assiduously pursued an eternity of palimpsests and give us for a while or ever , if destined, a feeling of completeness but even that is not real anymore in these new whorls where the voice I hear is once removed from reality as is the moving image I see, the words are not material; your hands made no paper want to make you blush and the writing is deflected as if by the lack of calligraphy that might have charmingly hid more than it revealed. So, as in under the water experiments for seismic disturbance from a great distance I hear the earthquake faults being plumbed and if everything collapses like the new games that thirst more for destruction than alleviation or value, brownling, my Breath, let us close our eyes and return to our childhood gardens, a little kanthari will spice up our poor man's meal of kanji and salt and a few button onions balance it off while the swing awaits and your ribboned pleats fly in the air already in anticipation of the hands that will push you up up up unreachable into the infinity of the blue sky and the spinning green up there and the white clouds and sunlight dazzling in the summer with crow pheasant calls and kuyil songs the leaves falling down occasionally under the mango on your hair and blouse and skirt. Still the heart beats with restless questions. Who am I? Why born? When to die? What is life? Like the pulse and breath and heartbeat, air, water, food and the other unanswered because unasked question Do you love me? Did you ever really love me? Will you, forever? Eternally? Village girl, can't you see it was that in you that I loved and that imaginary imagined child that usurped my heart leaving me and you helpless, bleeding silently mutual this suffering but endless now my wandering leaving leaving leaving... walking endless roads alone. Is this leaving like leavings? I refuse to acknowledge it.