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Friday, December 20, 2019

FIVE INCREDIBLE NARRATIVE POEMS BY THE FAMOUS AVIJIT SARKAR ALL THE WAY FROM AUSTRALIA




Avijit Sarkar is a musician, composer, illustrator, cartoonist, writer, poet, puppeteer, philanthropist and a polymath from Sydney, Australia. He has been endorsed by the Australian Performing Rights Association as a music composer. He has written two books so far and his other literary works have been published in many international anthologies. Avijit’s designs, illustrations and cartoons have appeared in many magazines and books across the world.

Avijit is the director of Natraj Academy in Sydney that he established 12 years ago to train and encourage new music talents in our communities.

Today all proceeds from his creative pursuits are donated to medical research and charity in Australia. In a career spanning over four decades, Avijit has left his footprint in every form of creativity in Australia.

The Flood


© Avijit Sarkar 2014

In the arid desert, the poor man sat under the scalding sun and amidst the limitless wasteland he looked down upon the burning sand. And a tear rolled down his withered face dropping silently, on the red infertile ground.

And lo – there was flood in the land.

The people called upon the great wise men from the Mosque, the Temple, the Church and even the Synagogue. And huddled over an ancient table, they spoke in whispers hushed, and then shook their heads in wonderment.

For they knew not the reason for the flood.

The sagacious Physicist, summoned from the sanctuary of knowledge, was joined by the crafty Mathematician and the mysterious Chemist. And huddled over an ancient table, they spoke In whispers hushed, and then shook their heads in wonderment.

For they knew not the reason for the flood.

Explorers scanned the earth and adventurers scoured the globe while sailors traversed the vast seven seas looking for the elusive answer to this great earthly conundrum. And huddled over an ancient table, they spoke In whispers hushed, and then shook their heads in wonderment.

For they knew not the reason for the flood.

Days passed into weary months, months into cumbersome years and years into tiresome decades as ignorant men looked for an answer to this absurdity never seen before. And no nook, no corner on earth, escaped the prying human eyes ….Save, of course, one.
The eyes of civilization forgot to peek into the poor man’s heart where countless tsunamis of pain, fought for his listless attention; and from whence, but just a drop could create a flood that was beyond the comprehension of the mortal man.



An Ode To Little Mary

© Avijit Sarkar 2018

Mary was little, she was just five; cheerful, cheeky and alive.
A beautiful, petite curly-haired lass, delicately chiselled like a crystal glass.
A wonderful lyrical soothing smile she had,
that lighted up her elegant eyes just a tad.
And when she laughed, her face scrunched up;
very much like a little cuddly pup.

Oh! Yes! Little Mary was a pretty one; all frolic and all fun!

The birth of happiness is at home, they say;
and happiness was with Mary every single day.
Loving Mum, doting Dad; never a day bad, never a moment sad.
She was, in their crowns, but a priceless jewel,
that adorned their lives with happiness like that of Yule.
They prayed for her happiness before every meal;
her presence, day and night, was all that they could feel.

Oh! Yes! Little Mary was the apple of their eyes, their dream, their prize!

In all her simplicity, did little Mary revel;
all her wants, her desires just lent into a smooth bevel.
She loved her food; hated her bedtime;
and whined at 6 pm when the clock would chime.
But you could always be her friend; if only to her,
a chocolate you could lend.
Her eyes would brighten; your heart strings would tighten.
Such was her innocent pleasure,
those moments that you would always treasure.

Oh! Yes! Little Mary was the one to adore, the little girl next door!

There was however, one fear that had made its abode in Mary’s little heart.
The old lady, Belinda, next door; at the sight of whom, little Mary would dart.
The old lady had long hair; flowing, white and wild,
that streamed from under her beret and scared every child.
The hooked nose, the arched eyebrows, the hooded eyes of a veritable witch;
the sight of which made Mary twitch.

Oh! Yes! Little Mary was very scared of Belinda, witch-like and wild-haired!

But little Mary had many adorations in life;
one of them was a little yellow fife.
On which she played often; meaningless noises but in a variety of poises. And…  Butterscotch biscuits, gingerbread teddy bears,
orange juice and poached pears;
the swing in the green park; the beautiful beach;
sun-glazed and within reach.
But she loved her neighbour on the other side, even more;
old man Jack whose laugh was always a roar.

Oh! Yes! Little Mary loved Jack; the cheerful old man, always ready for a yak!

Years flew by; Mary’s fear of Belinda the “witch” heightened;
Mary was always cautious, always frightened.
Even when the “witch” offered her lollies and cake;
Mary, in fear, could only hide and shake.
Oh! How Mary wished for a grandpa like old man Jack; hair combed neatly with gel, always laughing; always had a story to tell.
After school, Mary would often chat with Jack, over the fence;
most of it useless and a lot of nonsense.

Oh! Yes! Little Mary and Jack did have a great time; stories, jokes and even mime!

She came back walking, early from school one day;
and then stared at the locked front door in utter dismay.
Little did she know that, in a hurry,
her mother was at the shops without a worry.
Mary knocked on the door and then in a flurry,
sat on the doorstep; for she was in no hurry.
Out of her tiny school bag, she took out a book;
it was her favourite one that everywhere she took.

Oh! Yes! Little Mary loved that book; and with mirth her little body shook!


Over the colourful story, as little Mary ran her eyes;
she suddenly hesitated, for she could smell pies!
A shadow fell across the book; Mary looked up with a scared look.
She shivered and let out a cry of help
that sounded more like a terrified yelp.
For it was Belinda who stood before her; a pie in her hand; tanned;
her white hair in the wind fanned.
Little Mary went white in the face;
inside the house she wanted to race.

Oh! Yes! Little Mary was very scared and in utter horror she just stared!

Tears streaming down her cheeks, Mary let out a little scream.
She closed her tiny eyes and ran out on the street; full steam.
She looked to the left; glanced to the right;
scampering to old Jack’s house in utter fright;
She knocked on his door; desperation brimming,
“Save me from the witch!” She was all but screaming.
Suddenly the door opened ajar, Jack peeked out;
a smile on his lips and on his face, a bit of doubt.
He saw that Mary was scared, all alone.
“Come,” he said. “I will give you toys, cookies and a scone.”
Little Mary jumped into his arms;
completely at peace with his charms.
The door closed shut. Quietly, not a creak, not a noise;
 as Mary disappeared inside to play with toys.

Oh! Yes! Little Mary trusted him; unlike Belinda the witch, he was never grim!

And that was the last of Mary; she was never seen again;
everywhere they looked, all but in vain.
The police had no answer; sadness, fear spread like cancer.
Jack was interrogated; he was someone that everybody hated.
But there were no clues, there was no news.
Soon, just a memory she was; a horrible loss without a cause

Oh! Yes! For sure - little Mary had been taken; and everybody was shaken!


Mary’s mother died a sad death;
pining away for her baby till the last breath.
Twenty years have passed, and the “witch” still weeps;
she dreams about Mary whenever she sleeps.
Jack moved away from his house; nobody knows where;
he left no clues and had nothing to say, nothing to share.
Mary’s desolate father still roams the streets;
looking for Mary and hardly ever eats.
Yes, twenty years have passed,
And somewhere little Mary still lies
Innocence lost; no smiles… just closed eyes.

Oh! Yes! Little Mary was a pretty one; all frolic and all fun!



The Lonely Man
© Avijit Sarkar 2015

Twilight it was, as I laid down,
an overworked soul,
on the banks of a river,
exhausted yet relaxed,
eyes closed; at the very doorstep of a dream,
the swaying water cooling my feet.

Abruptly, my eyes popped open,
for a drop of water,
on my forehead,
had rudely fallen, disturbing a rare moment
of quiet ecstasy.

I looked up - contemplating rain.
But lo! It was the face of a young man
staring down.
A young man? Nay a child
A child? Nay, a very ancient face.
that looked so like
a withered child's, yet was laced
with the sagacity of a million years.

And streaming down his ageless face,
gushing down,
stronger than the river at my feet
was an unending forlorn rivulet
of pearly white tears
that added a strange hue to the look of
utter desolation, dejection, and despair.

"Who be you, Sire?” I asked. "Be seated,
for you do look so tired,
so lost, so sad.
Pray let your heart out and if you be hungry,
then share this poor man's bread and
tell me your woeful tale
so that the anguish be eased."

"I am the personification, Sin personified", he said,
his voice soft yet cold
like an old torso in the morgue.
"And I am sad, for I have no place to go -
no field,
nor an abode,
nor a province
or country.”
And as he sat down, the world around me
seemed to chill.

"Why be that?” I asked,
my voice tremulous
"has the world turned so good, so pure
that there is no lost soul,
no forsaken place to embrace you,
to take to you,
and then empower themselves
with money, greed, murder and avarice?"

He looked down and shook his curly golden locks
"You are ignorant. Nay, nay a fool", he said.
"I have no place to go because I am already omnipresent,
in every heart,
every soul,
every reflection,
every nook,
every corner,
everyday,
everywhere".

"I have no new immorality to offer," he wailed.
"All new-fashioned lures and fresh temptations
have been exhausted;
there are no modernistic transgressions
and neither another sinful road!
For already, saturated and moistened
is every earthly soul
with malignance,
depravity,
malfeasance
and vice".

In that single horrific moment,
I jumped up and pried into my very own soul
and knew to my horror
that He spoke the unwritten truth
of this world.

He clutched at my hand and
in desperation shrieked
"Oh! Tell me!
How long will I suffer
this solitude, my friend?"

I shook uncontrollably and answered.
"Years, ages, generations,
endless time," I said,
"For surely no salvation for you
can my mortal eyes see till,
humanity metamorphoses itself
into a kindly,
sinless existence.”

And as I turned and walked away,
I looked back, but once,
as He sat there, head bent down,
waiting for eternity
waiting for that imaginative God
and that mythical goodness
to descend on Earth.

The House of God
© Avijit Sarkar 2018

A warm and humid summer evening it was,
and the golden sun desperately sought to hide
behind the overgrown trees

And the child stood holding her father’s hand

Mouth agape in wonderment, the little girl,
eyes wide open, gawked at the marble structure,
bright and white; the likes of which she never could imagine

The sheen from the marble was blinding;
she narrowed her tiny dark eyes;
eyes that absorbed every resplendent detail…
the silver minarets,
the golden dome,
the ornate doorway,
the manicured gardens artfully decorated

And the wonderstruck child stood rooted to the spot; grasping her father’s hand even harder

The sweet smell of incense permeated
through the still evening air; and the child sniffed
at the aroma that oozed from within the flamboyant structure;
succulent sweetmeats, roasted nuts, warm delicious food

And the hungry salivating child clutched her father’s hand with both her little hands.

“Father,” she said, looking up
The father spoke not, for his eyes were closed in ecstasy
and the child tugged in desperation
at his torn sleeve and raised her soft voice.  
“Father,” she said. “What is this building?
 Who lives there?
Such splendour, such richness!”

And, torn asunder by curiosity, the child tugged harder at her father’s frayed sleeve.

The father opened his weary eyes; a dreamy look
drifting through them.
He spoke in a tone that was but a mere whisper.
“God,” he said. “God lives here; in this, his magnanimous home
that we call a temple.”

The child spoke not for a while; lost in a myriad of thoughts that
weaved through her tiny minds like rivulets
flowing through a maze of trees.
At last, she looked up again. 
“Does he also cook all that flavoursome food?”
she asked licking her lips
The father shook his head and closed his eyes again.
“Nay,” he said. “It is the food brought by His worshippers;
and the priest in His blessed house feeds Him;
cleans Him every day.”

The bewildered child looked up at the gleaming mansion and pondered awhile
“But why, Father?” she asked. “Does he not have a family?”

The father looked down; a kindly smile etched
on his weather-beaten face, and shook his head.
“No,” he said. “God is alone and sits inside on His silver cushion
that is laid upon a golden throne,
and spreads His kindness
through the world.”

The child looked down and unwanted imageries
flashed through her little mind...
her dilapidated home that embraced just one shoddy room;
a vague lightbulb that shone on her six siblings,
huddled together in the cold months and
that torn photograph mounted in a cracked frame;
of her mother who had breathed her last many moons ago.

Desperation swelled in the little heart and she tugged desperately at her father’s torn sleeve once again.

“If God is lives all alone, does he need such a large house?”
she asked, looking up, hope moistening her soft eyes

The father looked up; eyes to the sky and raised his hands in prayer.  “Yes,” he murmured. “He does, because we are all his family.”

The child suddenly let go of her father’s sleeve;
a joyous spark in her eyes;
 a tidal wave of hope in her heart.
“Really?” she asked, a smile spreading across her emaciated face.
“If he is kind and alone, in this beautiful, delightful home
that has a silver cushion,
a servant and
so much food,
can we then not go and live in his house?

Silence…. eternal silence ensued

And twenty years later…..

The girl, no longer a child,
but a withered famished prostitute,
stood, once again, upon the same spot;
at the doorstep of God.
Her father was no more,
her siblings had but separated.
She looked up at the temple,
more bewildered than wonderstruck….
and pondered hard.
Why was she still hungry,
while the house of the kind God
had grown ten-fold?

The Two Visitors
© Avijit Sarkar 2018

Upon a brown broken bench
on the green grasses
of a sprawling park sat two visitors;
one shrivelled in clothes tattered, sad yet proud;
and the other rotund, a perpetual smirk
on a narcissistic face.

They spoke not for a while
as vanity took its toll and then,
after minutes passed into
a dreadfully dreary hour,
the shrivelled man glanced
at the stout man and said in a voice;
quavering and curious
“I am sure I have seen you before.”

The stout man, head at an arrogant angle,
snorted, snarled, sneered.
“Of course you have,” he replied
in a voice, rasping and curt.
“I am everywhere; I am omnipotent
and my will spreads everywhere
from lands ancient to
modern-day majestic metropolises.”

And then as a spurious afterthought,
he said, extending a hand,
bejewelled heavy,
towards the shrivelled man:
“By the way, my name is Religion.”

The withered man gasped, gulped, gawked;
recognition awaking misty memories;
eyes swelling up with awe;
and he shook Religion’s hand again,
with a renewed vigorous vitality.

Then, Religion pulled out
a laced silken handkerchief
from his overstuffed pocket
to wipe his manicured brows, and
a wad of money fell from his overstuffed pockets.

And suddenly, greed replaced awe
in the shrivelled man’s eyes
as longingly he looked, at the fallen packet.
“You can have that,” said Religion,
a sneer crumpling his plump lips.
“I won’t miss it. I am filthy rich.
And there is more to come tomorrow,
since my influence is boundless.
I affect more societies than your sodden  
Imagination can fathom.”

The thin man picked up the packet
from the grassy ground and his hands shook
but then he stiffened immediately;
a ripple of pride
shooting through his emaciated body.
He stood up erect and looked down
his pinched nose
at Religion.

“To your statement, I take objection, Sire,”
he said at last,
adding a little more sizzling,
supercilious steam to his querulous voice.
“You cannot lay, in any way, claim to such influence; for that is my legal right. I have authority;
I exert clout on more people
than you can possibly ever conceive.”

In a sweeping move, Religion stood up
 breathing horrendous haughtiness
through his fat nostrils.
“How dare you!” he said, “How dare you challenge
my authority, my power?
And who, may I ask, are you?”

The shrivelled man looked into Religion’s eyes,
defiance swimming in his rheumy eyes,
and said in a voice, cold and tired:
“I am known by many names,
But I like to call myself Poverty.
I cover every nook, every corner
of this dismal world;
millions live under my shelter;
and countless have failed to escape
from my refuge.
Such is my spread; such is my influence;
such is my control.”

Silence descended upon the duo
as the darkness of the evening engulfed them.
Religion stared at Poverty; eyes red, nostrils flared, voice shaking with intrepid indignation.
“Do you realise,” he muttered.
“That you exist solely because of me?
I have taken the world’s money;
I have taken their trust;
I have created social layers
under which you lie crushed.
Poverty shook silently as mirth shook
his diseased body; and a short, hoarse laugh
rang out through the park.
He pointed a thin finger at Religion,
and said in voice, dripping with morbid menace
 and a distinctive disdain:
“You ignorant fool;
I have invaded earth
long before your conception;
I am, since the dawn of mankind,
the source of your subsistence.
I have spawned hunger, desperation,
and under my refuge,
this world has fashioned you
out of artificial fear,
dishonest hope and
the primordial fear of the unknown.
And when I cease to exist,
in the bright light of truth, you will be,
but cast asunder by humanity.”

And in that moment, as time stood still,
as night descended on earth,
a silent sob rang out far and wide,
as Religion knelt down,
bowing under the truth of nature,
and kissed the hand of Poverty.








Wednesday, December 18, 2019

11 POEMS BY DR KOSHY AV INCLUDING DETENTION CAMP - PUSHCART POETRY PRIZE NOMINEE SERIES 5 - WITH PHOTOS BY ANITA TRAVIS WHITE




Linked by the Spirit

Anita Travis White (Summerwind) – Photography 
A V Koshy - Poems


1. Face
I see your face through the mist.
It melts away like that of a ghost.
I want to reach out and touch its soft lines again
just once more before you fully fade away
but there is nothing there
and my tears fall on thin air
except for a few drops that scald my hand.


2. Holes

White holes punched in a concave blue-black background
A hammock of a moon to sleep on as my bed, bound
Free, to the sky, a red horizon; not an airman's warning -
The dark foreground; in the distance the black trees swarming.


3. Crescent



the moon, half- covered by the dark

the Dali/Bunuel eyeball slit by the knife
the moon, made of green or blue cheese
the moon is your left breast, pock-marked
the moon is your buttock, a water-melon's pitted skin
the moon is "bang a gong"
the moon is a wash- rinsed, hand-scoured, thought-scarred Hitkari Indian plate 
the moon is roti, chapatti, and choodappam
&
the moon is a fresh, steaming thattu dosha
the moon is, now i want to, oh f***!





 4. Detention Camp


This is what was left after the event
Storm clouds lour above in pathetic fallacy.
Outside the frame, the boots were patrolling
Crunching gravel, dragging guns across the ground
The sound like sharp nails across a chalkboard
A few minutes they had let us meet
We met at the fence and could not slip through
The watchful eyes of dogs and chained horses
Despite the huge gaps. It was Dachau, it is Gaza.
It was Siberia and any other such hellhole.
Against all odds I made love to you there
standing up, on either side of that fence
and then we were mowed down.
Souls that fled to the skies while the crowds gathered
below and the tornado gathered force up above
in an imitation of the cry of the earth
longing for the day of justice or its end
when the sons and daughters of God would be sent
or fire would destroy the earth once again.

5. Bled
Bled of the colours of blue, red and white
to foreground and background
Orion, the hunter
spread on a ground
of two dimensions
is now a cluster of white dots on a black blanket
on a level with my eyes
and I remember
three stars
a deer, a scorpion
and the other myths
The sliver of a silver hammock moon is gone
the black grass, the blacker swarm of trees
the red dawn
I feel suddenly I am standing in the cold breeze
under that paper sky, lone in the vast
shivering and hugging my bare shoulder-bones
and wishing, Orion; that you would warm me out of my fear
of the Nephilim waiting to be born. I wish you were down here.
Orion.

6. Haiku

The giant wash calls.
Around, the flatland. Unmossed.
The raised flagpole strikes.

 7. Black

 Dark body
Those ghoul-like hands
Fingers hair point
Behind, Discworld whorls
Neon scratches lit
Purple violet blue white curved streaks
Tunneling arch to our unknown world, pact
I delude
In the delusion
You enjoy, deluded.
With that eerie-wondrous door
No wonder. We make entries
With no holds barred, almost
While the azimuth spins. (Companion poems to Anita Travis White's image given above.) 


8. Haiku

From the forest floor
Passionately upward
Love sweeps your sky



9
WE came from a galaxy
where a planet teeming with life
had two suns.
I was one, bright.
You were the other, full of light.
Here
I remain in fatal eclipse, unseen
and you, you shine
as if you're the only
one
Your dark side faces me
that I light up gladly.
It is
as before
ever beautiful.
The next planet
may reverse our roles.
We measure out infinite love now
undying, in cosmic time.

10

They heard of it in different places
that his spirit had left its body
and jotted down their memoirs
which they gave to his biographer
along with whatever else they had
of memories, dreams and some fibs
for he had been famous in some circles -
underground, cult and others
She, trying to piece it into one
and breathe into it flesh and blood
began to go slowly mad
at the twelve gospel shards in her hand
which she read again and again
When she could no longer take it
she summoned his spirit up in a seance
twelve voices answered her in her trance
coming as if from the master of high romance
She made herself do automatic writing
and thrilled at being made love to by his ghost
the ghost of a man in whom everything had warped
into different times, places and imagination
till he could no longer distinguish between
reality, dreams, imagination and lies
and those he spoke to couldn't either
thinking of him, separate any of these strands
or see about themselves how they stood
with him, because he spread a fog over them
Though lost in it, like him, they found he entranced!


11. Shahjahan

Look out of the window, imprisoned
at that cold, white, beautiful
surface - dome, doomed -
and know that for a monument to love
to live and breathe forever
you have to suffer
to pay destiny back for the slaves who laboured
to build it up for her while you, in denial
caroused and daily with your harem cavorted
Pray daily five times a day
now. Sit and stare dry-eyed
blank of mind, unable to go anywhere.

Love cost/s (you) a lot, Shahjahan.








Images all rights reserved by  Anita Travis White 2013, Words copyright Koshy A.V

Tuesday, December 17, 2019

FIVE POEMS BY AAKRITI KUNTAL - PUSHCART POETRY PRIZE NOMINEE SERIES 4




Aakriti Kuntal is a poet and writer from Gurugram, India. Her work has been featured or is forthcoming in Poetry@Sangam, Selcouth Station, RASPUTIN: A Poetry Thread, Mad Swirl, The Bombay Literary Magazine, The Hindu, Madras Courier, Ethos Literary Journal, and Visual Verse among others. She was awarded the Reuel International Prize 2017 for poetry and was a finalist for the RL Poetry Award 2018.  Her poem Lilith was recently nominated for the Best of the Net 2018-2019 by The Pangolin Review. She is also a very good abstract artist in her sketches and paintings or drawings.
Map


I slip between vowels
and hold your breath
in my face. The warm
steam that courses
through my pores and
whistles along the jaw.
When the night sits
as a bat on my chest,
it is in a whimper
that I learn to speak again.
I take your shoulder
and rest my cheek
on it, it flattens into
a sound. A sound
that elopes into the quivering
night. You repeat that everything
will be okay. I know it may not.
I know that illness doesn't
always go away.
But I still need you to say
it, reaffirm to my shrunk, blue
heart that everything will be okay.
In the darkness of the night,
I measure the cusp and length of your face.
After the pills have done their magic
and I can barely open my eyes,
my lids holding the moisture in,
it is in that darkness,
with the body wrung out
and washed ashore,
I think of blindness.
I wonder what it would be
like if I were blind and
how they say the other senses heighten
when something is snatched.
I believe it because in darkness
your face becomes a map,
a map to myself,
and I can remember the scruff of your neck,
and the angle at which your cheekbone
departs from your ear.
I know the terrain of your
open pores and the silky
night sleep of the skin around the temples.
It is through this new darkness
that I will always remember you now,
long after these moments have passed.
I will return to them
when I'm alone and my chest
is beating like a panicking fly
on a windshield.
I would return to them and
slide my cheek once again
against the memory of your face,
softly let the skin talk
in sleek vibrations
of the pain that I cannot explain.


Deluge


Elope into the dark light,
The one that existed before
Anything began.
The night rises into my breast,
A bulb of onion.
It is a knot, it thickens and thickens.
It glistens inside my translucent lungs.
The body is a jellyfish
curling in the wave of time.
There is a flood,
A deluge of light and sea.
I open my mouth and the water enters
every pore of my being. I open my mouth
and the water chokes the veins and arteries.
What do we do at the precipice of death?
Where is life's tangent
moulding?
I cannot seem to grasp at anything.
Everything appears larger than itself
and smaller than reality.
Everything is a delusion that dissolves
in itself.
What do we when the body is sick and bleeding
and the legs turn into logs,
streams furrowing in compartments?
What do we do with this body,
this shelf,
these sick, sick thoughts
bouncing like a ball from one wall to another?
What do we do when death takes the face of life
and one cannot distinguish one from the other?
There is a flood.
Everything is killing everything else.
My eye is bloodshot.
I hold the sea in my arms
and kiss it goodbye.
In the event of no event,
nothing makes sense, only the body flies,
flies like a moth in its great trap,
Slowly dying in the ochre light.


Distraction


I could have sworn
that the tiny buzzing
lights in my right eye
were shards of glass.
They flew, almost levitating
along the crepe rivers
of breeze.
I would count slowly,
as if each number
was a piece of dark chocolate
that I was swallowing.
Then I would imagine
it dissolving along the trachea
or basically anything
to keep my mind off
the rising blood pressure.
Distraction is the key.
You slowly steer yourself
into an imaginary place,
long enough to forget
the reality that imposes itself on you.
This is what I did
when the first cannula
inflated my veins to the size
of a silver planet,
its glossy paper membrane
ready to crash against
the cold air of the hospital room.
I stared at the white lights
on the ceiling. I would stare
and stare until it would
induce a certain kind of blindness
and I would stop feeling
anything. The key is distraction,
I tell my therapist.
There is a swirling trapezoid
in my head and the thoughts
strike each other like
swords on a battlefield.
They are nonsensical, I tell
her. After years of my life
spent pondering the pivot
of existence, the compulsion
to do the right thing, the
expectations from the self,
I feel I have finally cracked it.
Nothing matters. Like they say
'There is no truth, only truths.'
If you think too much,
you become your thoughts
and not the object in concern.
You start living
in a cloud, a cloud spiralling
and swirling inside a loop.
There is never any consensus,
only the citrus pain
of blood vessels tightening
and curdling.
Distraction is the key, I tell
myself. I tell myself.
I must forget
long
enough, long enough
to survive this strange being.

 Contact


I touch the tongue. Seize it.
Hold the reverberations in my palm.
They travel through my wrist and sing.
The entire body shakes
with the ugliness of voice. I take my fingers
Into the gorges of the throat.
The tunnels of the voice box sing
like a wind chime.
I want to reach somewhere.
I want to break it. I want to know the ugliness
of the body. What it is that sizzles beneath the cloak of skin?
At times, I have stared at the mirror
and found myself gripped by a frantic fear. Panic makes my face
blue and my heart oscillates quicker than a galloping horse.
I find myself diseased in this life,
Trapped. I feel the urge to awaken,
to wake from the seemingly endless bleakness of days.
I empty my head into the pillow.
I hold my tongue between fingers.
I write poems. I write poems and sit idly by the balcony.
I hold days between toes.
I watch them slide back and forth into the mud.
I'm intoxicated.
I'm nauseous. There is no sense to this.
There has never been.
At times, I stare at the mirror and beneath my eyes
are cupped boats, dark inflations.
I want to touch my skin and make it disappear.
Bend life, like the spoon in Matrix.
I want to feel the vibration of my heart
like ripples across the skin
and then I want to bleed.
I want to bleed into the most blatant emptiness
and stand on its edge and knock.
I wish to smell it, hold it close, lick it, lick
this ugliness of being.
Perhaps, perhaps then, I will understand it,
I will understand this sickness of living.

Neck


Your head
tilts along a
heap of flesh.
Breath circulates
in the thoracic
cavity and swims
into the gluttonous
pouches of the stomach.

What is decaying
in the pores on
your neck?

Skin slowly rising
into mountains,
prickly, catching
the drift of sun
and heat, eating
organisms,
inhaling dust.

You cannot see
your neck,
you say
its a lobe, a kiss,
between thoughts
and their
reality.
It moulds in and
out of shape,
rolling upward
and downward
as you adjust
your height
and your vision
of the world.

You say
you cannot see
your neck,
but you ponder
if the clavicle
is where the temptation
resides, like a blue sexy
dot on the body's
temperament.

You say
you cannot see
your neck,
but it is funny,
that you have imagined
it as your closest
ally to death.
Round and tight
for the noose,
just waiting
to slip in
and shut.

You say you cannot
see your neck,
not without a mirror
anyway
and then laugh
as the veins,
arctic blue,
thrust forward from
the epidermis
and condense into
a mole,
a tight scar
from dialysis,
and the color
of life
in winter lust.






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