Anton Corbijn –Control.

This is his first directorial venture. The movie is now in black and white.
The story goes like this. A young boy called Curtis who likes poetry impresses his friend’s girl by quoting Wordsworth. He does drugs in the form of pill popping and likes David Bowie and Sex Pistols. He marries said girlfriend. He writes powerful poetry and goes on to become the singer and lyricist for a “tight” post-punk band called Joy Division. Picked up by a new label and a good manager they seem set for success, when Ian, the lead singer, whose wife is pregnant by now, finds life suddenly putting him on a slide. He holds a job at an employment agency. One day he finds a job for a differently-abled kid. Another day he suddenly comes face to face with epilepsy in the form of a girl who collapses in his office. His love for his wife notwithstanding, he soon begins to cool off in his ardor to her, realizing that they are different; she being solidly middle class and he the aesthetic bohemian. He spends sleepless nights, writing dark lyrics or out on gigs with the band. One day he collapses while going to a show, and is diagnosed with epilepsy. There is no cure. Meds, and sleepiness that comes as a result, ensure that soon he has to choose between his daily job and rock. He opts for his first love. One day while Joy Division begins to gather a cult following because of songs like Warsaw and She’s Lost Control -inspired by his wife’s inability to coax him into bed in the film - a journalist called Annik lands up from Belgium to interview them. Her looks and exotic name attract Ian and they fall in love with each other. She is drawn to his magnetic and charismatic Morrison-like voice and brooding presence on stage as well as the inscrutable personality that she thinks he is. The darkness of his depression lightens slightly when she is there. Soon his conscience and heart begin a fight with each other, in which he gets no help from anybody around him, at the end of which he commits suicide. His lyrics get progressively darker and more brilliant meanwhile, as he writes of his life, and his performances become more intense but they break him to the point where, along with his increasingly frequent episodes of epilepsy and first failed attempt at suicide, even going on stage becomes torture. He dies at the young age of 23.
I had heard of Joy Division before but not heard them. I feel this movie is the perfect introduction to the work of this young ‘genius’ and band because it is a restrained work. Anton Corbijn seems to know his Bergman and fine performances by the main actor and actress, sensitive editing and good camerawork all help to make this movie a classic in the rock music films genre. While not surprised at the awards it got and the fact that it is based on the memoirs of Ian’s wife and first hand experiences of the director as a photographer with the band, what really struck me was the maturity with which Corbijn handles the life in question – by not connecting it with rock’s common myths of sex, drugs and rock n’ roll , for one thing, except subtly and in passing, but instead showing the inspiration for Ian’s poetry and getting us to empathize with him and his wife equally, something rarely tried in my experience before. In fact, it is Annik who comes out weaker, maybe because of where the script comes from. It is the ordinariness of Ian, the working man, who is caught in the sudden tragedy of epilepsy that takes him out of himself into being someone other than who he is and lures him to his doom that haunts us ultimately. That and the brilliantly shadowy live halls and bedroom scenes, not to mention the photomontage of portraiture of the characters that recurs constantly through the movie and the brief live band vignettes , the quotes and the shots in the recording studio.
In 2007 the movie was made. It got awards. If Corbijn makes another movie I, for one, will watch. Not to talk of my having begun to read Joy Division’s (Ian Curtis’s) lyrics and listen to their music.