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Friday, May 03, 2019

Adidas reappears

Satirical prose - Pandorathon #2
Don't know how many of you have heard of Adidas. He used to be famous once upon a time for his sexcapades, oops, sorry, escapades. His name, as you all know, is an acronym for All Day I Dream About SEX, oops, sorry, Sports. But it also has many philosophical dimensions. Adidasan. First Servant. Now you know the first servant of the land is supposed to be the President in USA and the Prime Minister in India. But Adidas was first servant just as his parents gave him that name, and he had no idea whose first servant he was or the whats, whens, wheres, and whys or hows, if such words like whats, wheres, whens and hows are allowed in English, of such misnaming. Adidas was not sure if to apostrophe or not to apostrophe, either, or how to use or in such a sentence. He was nothing like K, his author or creator, in other words. Adidas, in other words, had an existential angst about his identity.
Adidas walked around with writers, artists and such like people, though he did not want to be any such thing. He read desultorily and saw movies his friends asked him to go to. In short he was a ne'er do well but women had a strange fascination for him precisely because of this or so he thought. He thought wrong, as usual.
At one of the big literary to dos Adidas landed up by accident or design, he is still not sure which. No one noticed him, as most of the attention went to his creator K. But a few did. One girl somehow came up to him and said, I am from DU. Adidas was surprised, not that she was from DU but that she had spotted his existence and come forward to talk to him on her own initiative and not to K. It made him feel almost real, which he wasn't! He asked her what she thought of the present situation there. She was downcast.
Are you for them or against them", she asked conspiratorially. Adidas lowered his voice too. To nothing more than a whisper. He had no idea who 'them' was yet.
"I am against 'them', always, whoever they are or where'er," he said, "damnit, to hell with 'them'!"
Her eyes lit up. She would almost have kissed him, he felt. He would willingly have let her.
She smiled. She took his hand in hers and said "let us go talk."
They were serving drinks somewhere. They both took a large. Adidas drank his in one go. She was talking animatedly. Their glasses were almost touching each other and soon they clinked! Come on, drink up, baby, he thought, while their hands brushed each others' more often and their faces loomed closer to each other's each minute or hour or second. Adidas was fast losing track of time. The air felt hotter. He had three more largesse's. To apostrophe or not to apostrophe? Large has a plural? She was pouting or opening or closing her mouth like a fish gasping for breath or speaking or her lips were asking for a kiss. He could not quite make out which. Maybe their drinks were laced? Like shoes? She said: "There are more of them than there are of us now. My father is one of them and I am one of us " This was very illuminating, Adidas thought. He was struck dumb or dumbstruck with illumination,
he was not quite sure which. Syntax, syntax, like his nun of a teacher, not dunce of a teacher, had told him long back, he told himself again, rapping himself on his knuckles mentally. He wondered if he kissed her would it make him one of them or one of us. He leaned closer, it was disconcerting as he could count every single hair on her eyebrows. She didn't seem to mind. He thought maybe his time to be first servant had finally come. It had many times before but had gone too as mysteriously. He was always seeking for an end to the quest but quests never end, he knew, in these times, unless with death or by being turned into a cockroach like Kafka's Gregor Samosa. Samosa or Samsa? He was not sure. To test his luck he suggested to himself saying lal salaam to her and then if that did not work vande mataram to see which side was safer to be on in this instant. Afterwards he could try Hail Mary full of grace, Allahu Akbar and Wahe Guru and if nothing worked there was always Shiva Shiva or some such thing. But before all that he suddenly felt the urge to pee, fortunately or unfortunately for him. So carrying his bag he went to the loo and relieved his bladder but forgot his bag in his excitement to get back. Would have been worse if he had forgotten his bladder and left it behind there and remembered his bag. What alliteration with b and it happens e'en in prose!
When he got back she was nowhere in sight or even on site. He cursed, not his luck, but his bladder. He was still unaware that his bag was lost.

Pandorathon #2 Part 2 of
Adidas Returns
Bladder empty, girl gone, bag too gone unknown to him Adidas wandered disconsolately for some time and then headed naturally to the other comfort station, the one that served drink. Another large downed at one go fortified him against his loss - of the girl and not the bag - somewhat. Off he went looking for something to eat, fresh game, venison, licking his chops. As luck would have it he wandered straight into the arms, oops, sorry, eyes, of a beauty dressed all in black, a fairer than the famed ten thousand lilies in the Bible one kind of one. Whether from the valley or the one in the field more beautifully clad than Solomon he was yet to find out. He knew why he was approached, though. He had a striking resemblance to K, his creator, especially in dim light and people often mistook the one for the other, to both their utter chagrin, leading to hilarious episodes in both their lives.
What's your name, he asked her.
He was completely sloshed by now. Or again, if one counted having gone to pee as a way of getting unsloshed.
Rita, she said.
Lovely Rita, meter maid, nothing can come between us, he thought.
Give us a kiss and stow your ... meter...away.
She smiled and said I am so happy to meet you. Have heard you are a very good writer,
He blanched. Write? He?
Covering up quickly, hoping his face had not turned green, he said, yes.
Do you know something weird? he said.
What?
I'm writing a book on the Beatles.
Fascinating? And?
They have a song with your name in it .
Oh, she said.
She looked at her watch, suddenly.
I have to go, she said, it was nice meeting you.
She sidled away.
So much for the second line of the song " nothing can come between us" he thought.
He went back for the next large. Having downed it again at one go, he suddenly sensed a vacuum by his side. Shit! His sling bag. Where had he lost it? Cursing and swearing to himself never to get drunk again, he remembered a line someone had written under one of the stories about him. Adidasinu vendathu nalla oru adiya. Onalla, palathishta~
He retraced his steps back to the bathroom but his bag was not there. No longer there. Memory came back to him the way dead characters come back to haunt their author that he had left it there last but was too useless to help him reclaim it. Gone with the wind, with the copies of the story book full of stories about him by K.
He stumbled out disconsolate again. This time he ran into a third damsel. Were there only damsels in this damned damnable hall of mirrors or Hotel California?
Hello, he said.
You look green, she said.
He tried to blanch brown to look normal.
Didn't work.
I am distrait. He muttered. Distraught, distracted, disturbed.
She started laughing.
You who are so good with words, she said, still laughing.
Joan Baez? he muttered, automatically.
Yes. What's your name?
He decided to risk it, what did it matter after all?
Dylan, he said, extending his hand, Bob or Thomas. At your service, madam. Any service? That was what they asked him in the Gulf, to show they knew a smattering of English, it was considered polite and compulsory. He wouldn't know what to do if she asked him to service her, though.
She laughed again, louder this time.
You are funny, she said. Why are you looking worried?
I lost my bag, he said, in the bathroom.
She burst into peals of laughter this time.
Your bag?
Yes?
You are lucky, she said. Imagine if it had been your bladder and not your bag!
Gawd! He had never thought of such a thing! In his entire life! He anxiously felt for his bladder. It seemed in place, alright, not lost. He sighed in relief, thanking his stars or God or the Force for small or big mercies. Bag remained lost, all the same. Damn bag, had got bagged or bogged or was in somebody's bog, no, gob...
Can I sit down here, he asked.
Sure, she said,
He sat down next to her
What do you do?
I am the local president of the Lion's, she said.
He looked at her a trifle anxiously.
Was he Bertie Wooster? Was she going to set the lions free , out on him? Even before there was anything between them and he proposed.
We came to scout this place out for our annual beauty competition.
Oh.
He felt a stirring of interest.
Rita's face danced before his eyes.
Listen, he said, please hold it right here. And in this locality lives a girl called Rita. She is tres beautiful, tres beautiful. Like the lily of the valley or the field, fairer than ten thousand such lilies.
He went into ecstasy at how poetic he was sounding and thinking how fair she was. Every second her fairness took on more and more fairness, as if she had bathed in fair and lovely from the womb. In milk and white honey, if there was such a thing.
The lady she was talking to gave him a strange glance.
A queer glance. A, queer, no, are you off your rocker glance
Oh no. Was there some dirt on his face? he dabbed at his nose, hoping it was there and he had got it off.
He went on in a rhapsody, lost to all propriety.
Find her like Cinderella, reward her like the Prince, he said.
Her stare got more and more pronounced.
Hey, let me get this straight. You want us to rent out this place for the Lion's and - she stuttered
He looked at her apprehensively at the word Lions not knowing if it was in apostrophe or not, his usual problem.
- and hold our beauty competition and call this girl Rita here if we can find her and give her the beauty queen crown.
Yes, he said blissfully.
She got up laughing and went off still laughing. Her laugh became louder and louder and soon sounded for some reason like a lion's roar. Or like lions roaring.
K put his hands down. He only had to type in the name of the story now.
Adidas Returns, Drunk he wrote at the very top of the story, clicked save and fell asleep, tired, instantly.
He slept and he dreamt of lions and Lion's, with and without apostrophes.




Pandorathon 1

Pandorathon #1
In Jellicle* land
where Jellicles rule
come spring or summer
come autumn or Yule
Jellicle fell in love with Popsicle
Lollilop days, riding a lollipop mule
Don't you wish
you were in Jellicle land
where Jellicles run and Jellicles play?
Jellicles sway to Bob Dylan tunes
in Jellicle kingdom
under the moon
Jellicles s(w)ay as Jellicles do
Jellicle and Popsicle happily groove
in Jellicle land
where Jellicles rule
come spring or summer
come autumn or Yule
Word borrowed from Eliot

Wednesday, May 01, 2019

The editorial of the latest OPA

WELCOME
TO
OUR POETRY ARCHIVE



I think when you read a wonderful poem, when it starts, by the end of it you’ve moved so far – and you think how did you move me so far in so few words?”
–- Tishani Doshi

It has been a privilege and an honour for me to be touched by Poetry!  And even more humbling to be a contributor and now part of the Editorial Team to this wonderful E Zine which embraces Poets and Poetry from different corners of the earth. What unites this forum together is the beauty of the poetic form and the common lingua franca~ English!

Born out of passion of NillavroNill Shoovro in April 2015, Our Poetry Archive has indeed come a long away in facilitating a cross cultural exchange of world poetry. It has also given space and recognition to many wonderful new poets from all over the world. This special edition in May celebrates Indian Poets writing in English.

Indian English Poetry has made a rich contribution to the world of literature and is associated with writings by Indians both residing in India as well as literature from the Indian diaspora. Tracing its journey, one remembers the patriotic and spiritual poetry of Michael Madhusudan Dutt, Aurobindo Ghosh, Rabindranath Tagore and Sarojini Naidu.

Moving on from that era in post colonial India, contemporary poets have written about a variety of themes, from forging a new identity, to social issues, and even autobiographical content.

A strong trend in modern Indian Poetry is the use of free verse, non rhyming poems with irregular verses, a literary style where thoughts, feelings and emotions are presented in a free flow. It experiments with language and imagery and is often influenced by globalisation.

Contemporary Indian Poets have made it big in the world arena. Poets like Vikram Seth, Sudeep Sen, Tishani Doshi, Ampat Koshy, Santosh Bakaya to name a few have global following. Well known amongst the diaspora is Rupi Kaur who with her illustrative poetry has caught the imagination of the Indian youth in different parts of the world. Dr Ampat Koshy has invented a new form of sonnet called the Roseate Sonnet where the first Alphabet of the last four lines when read together spells Rose. Many poems have been written in this format.

And so here it is ladies and gentleman. A special edition dedicated to Contemporary Indian poets writing in English and contributing to world literature. Happy Reading!

Ipsita Ganguli
From The Editorial Desk
OPA
https://ourpoetryarchive.blogspot.com/2019/05/ampat-koshy.html?fbclid=IwAR1diPvOqF5y1Mx1C85gmXVTF5EPcrYdrePnwfYO1ShseRb4dqyYCILbo8c

AMPAT KOSHY

A ROSEATE SONNET-1

On a cancer patient after she had to shave her head due to chemotherapy

Welcome, light, coming through the window
Fall softly on my eyes
Remind me of dawn coming after the dawn
The sun and its countless dawns
Welcome, the sights, soothing my eyes
Of curtain and pots and plants
Familiar, and the world outside
Sing to me, of green and new lives
Welcome, the breeze, that gently comes
Into my room and caresses
My head and skin
With no barrier now between
Sing to me of light breathing life into yonder
Of light and breeze giving me, again, head cover'
Rapt, unseen, the thoughts behind your eyes
Over and over in circles, swim like fishes
Swim where the light is, gain strength where the shade is
Energizing, to help you overcome your plight







A ROSEATE SONNET-2

On the nude photo of a male friend

When Michaelangelo sculpted David
When he painted Adam on the chapel's ceiling
Yeats said it was for girls at puberty
To find the first Adam in their fantasy
Mapplethorpe oft used the male nude
To make the same point, in ebony
That while all cats may be in the dark, grey
All women aren't, or all men
Do not demonize, do not eroticize
Do not criticizie, do not glamorize
Rather, valorise my art that tries
Off-beat, to not objectify
Something we all want to sexualize/sensualize
Eyes blind. But here stands Mars without his arms.








ROSEATE SONNET FOR MY MUSE – 1

I do not kiss your photograph
Your eyes are glazed like a dead fish's
I want more than a mimeograph
Give me lies, truth, lows, middles, highs.
I do not worship your idol
To which one can only talk
No word from it can I, in return, cull
It has feet but cannot walk
Goddesses are rare, and one precious
Hands have they, but they want caresses
Rose dancing on the cusp of nothingness
One is worth the manifold
Seeing your breasts are a pair of lights
Every time on their grace I (have to) keep a tight hold

AMPAT KOSHY

"Dr. AMPAT KOSHY is a seasoned poet whose CV is peppered with numerous books and publications. He has written seven of those books and co-written four other books. This freethinking and unconventional doctor has edited and contributed to several anthologies that would read as a virtual countdown of the world’s best literary works. He wrote a seminal book on Samuel Beckett, the Irish avant-garde novelist, playwright, theatre director, poet, and literary translator. It is entitled: Samuel Beckett's English Poetry: Transcending the Roots of Resistance in Language. When Dr. Koshy was a kid, he won an international prize for poetry. He made a mark as a Pushcart nominee for poetry in 2011. The Pushcart Prize is an American literary prize published by Pushcart Press that honours the best "poetry, short fiction, essays or literary whatnot." After that, he won several awards for writing as critic, academic and poet. However his crowning glory so far was being adjudged best academician this year in his university, Jazan University, Saudi Arabia, where he teaches presently as an Assistant Professor. He is presently working on a novel, a film script, as well as grinding hard as editor for a book of essays and four or five collections of poetry etc. His books have been to Frankfurt, London, Dubai and Turkey, not to mention Indonesia and the short stories collection Scream and Other Urbane Legends have been shortlisted in the Hindu Literary Prize. He has also written online and offline in anthologies etc…basically, if achievement is a muscle, then he is muscle-bound! Above all else his zest for love, life, wife, wine, women, family, the grim reaper, romance, sex, God, autism and song inspire him to write potently and prolifically."

Monday, April 29, 2019

Glopowrimo #30

Glopowrimo #30
Minimalist poem, influenced by gesture drawings
Unknown to her, where'er (s)he is
Her picture hangs upon the wall
Her eyes follow him, up and down
She couldn't care less, where (s)he is.

Glopowrimo 29-2

Meditation 2
To myself I asked today the question long unasked
Why do we write, and read poetry?
As if I had forgotten my own face, or become blind
How it looked now, and needed a mirror or someone else to describe
My face, to myself, again to see.
Years fell away, and I became young again
Reading Coventry Patmore's "The Toys"
Whoso readeth this touches not just its words
Or a poem, but a man, a father, God and life
And children and their kinship to parents, mortal and immortal!
Years later, I still read and write
Poetry with a hunger that's insatiable
For the same reason, to connect thus, totally, with others
And hope they feel as connected to my words
It's expressing and communicating
Our deepest selves to each other
For in life, we see through the glass, darkly
But in poetry we sometimes see as we are seen
Know as we are known
As: at the Second Coming, when we see Him as He is
Our transformation's evident, to what degree we attained
And no secret is hid, and everything is revealed

Glopowrimo #29

Meditation
A small child once wanted to know
Why the lake was so blue
It's reflecting the sky, you know
As someone had once told you
One day, the lake was green
The child then wondered why
Under the deep blue sky
Why it was so, had changed
Under the lake, foliage had grown
When he looked in he saw it wave
Lush green weeds, long-leaved like snakes
Sprung from cement-silt and debris
The lake's surface still rippled,
And glittered when ruffled
Reflecting the sun
And his wavy face
The sky was still blue with white, white clouds
Edged with silver or black
But on the face of the lake, the blue took a hue
Yellow or golden, now weeds had a say
He watched the weeds choke the lake
The water change colour to a faecal brown
Slowly the fishes turned upside down, dead
The sky alone still remained blue
Sickened by all that had been
And had come to pass, he did dream
Of leaning over a lake in the night
With the moon and the stars come out, bright
The water was black and cold as ice
Nothing stirred on its back
He missed the ripples and waves
He could dream it all back again
There was a breeze in his dream
Light as a feather's touch
The fishes swam inside the lake
Lit up by phosphorescence
And he knew that the water was sweet
That if he leaned down and drank from it
It would be to thirst, its lack.
He dreamed it would come, not to pass.

Sunday, April 28, 2019

A red ombrelle

From archives  Feel like rewriting it, so doing so.

Love is ageing
Its hair; grey and falling
A dry awakening
after getting wet
in a thunderstorm's show'rs.
But still, sometimes
when no one is looking
love is a red umbrella
behind which your pink lips…!

Sunita Singh's new translation of the above :
प्यार अब बूढ़ा हो रहा है
उसके बाल, सफेद और झड़ रहे हैं
एक शुष्क जागृति
तूफानी बारिश की बौछारों में भीगने के बाद
लेकिन फिर, कभी कभी
जब आस पास कोई देख नहीं रहा होता है
तब प्यार एक लाल छतरी होता है
और उसके पीछे ‌
तुम्हारे गुलाबी होंठ...

New transcreation of older version by Satbir Chadha
प्रेम की तो उम्र हो चली
उस आँधी ओ बौछार में
तर बतर हो कर
भीगी सी नीँद के बाद के
कोहरे, और धवले केसु
जैसे पतझड़ के रहते
ख़ुश्क सवेरे का एहसास
फिर भी अकेले में कभी कभी
पनाह लेता हूँ
तेरे गुलाबी अधरों के
शोख़ साये में


Ampat Koshy
A poem of mine translated into Hindi by Sunita Singh
Third one by her. It had appeared in English in Learning & Creativity-Silhouette Literature & Cinema
Honoured 
Love is aging
Its hair is grey and falling
Love is a dry awakening
after getting wet
in the showers of a thunderstorm
but still, sometimes
when no one is looking
love is a red umbrella
behind which your pink lips meet…
प्यार अब बूढ़ा हो रहा है
उसके बाल कम हो रहे हैं और सफेद भी!
तूफानी बारिश में भीगने के बाद
प्यार अब एक शुष्क आभास है!
लेकिन
कभी -कभी जब कोई नहीं होता है
तब प्यार एक लाल छतरी बन जाता है
जिसके पीछे तुम्हारे गुलाबी लब मिलते हैं!

If they were ever there

The light of every star
reaches me
faster
than the light
of your eyes
gone away, my love
into the past, now
if they were ever there
The cry of every curlew
circles
the lorn beach
far more times
in echoes
than your moving lips
loth, anymore, to say
the words
I long to hear
This must be the night
where there, it is still
bright
but its silver
shine
in the ripples
of my lake
is as if just to say
things are not what they seem
as reflections and shadows
are like kisses in my dreams
and memories are only
your whispers
drowned
in screams.

Some random thoughts on this poem En Route To Bangladesh etc

https://www.poetryfoundation.org/poems/56919/en-route-to-bangladesh-another-crisis-of-faith?fbclid=IwAR1UUvMwMVXnjd141TvIDaKmSa1JAHZxXqWeRu_eqGl8wY0mUEzOm5KB4JA

Ampat Koshy I can link it with Dickinson and Henry James but the most interesting word here for me is star, suggesting that the crisis is this strange feeling that she has become a kind of a 'Jew,' as well as more fortunate, and going back is almost like going to a concentration camp, and the star also refers to the American flag, hence the title. The blood makes it feminine and the muscle is the background which is where there is a gender contrast. There is an identity crisis as well as faith crisis in the poem.


As regards gender her views are well put but typical. She is stared at and not surprised when she stares back to find the men do not drop their eyes but continue to stare back. She sees men as a dark, damp horde - meaning a threatening presence. This refers to them as predatory.


As regards race, she is caught in the presence of knowing she is taught to privilege the whites, blonde hair, but fighting against it, yet, finding herself unable any longer to be just body like others in the queue


Regarding identity she is torn apart between the ancient that has now become cliched of the Arabic past, the golden leaves, the blue perfume bottle etc., and also the American which is the Coke and the Lays. This is very Jamesian as Henry James compares the decadence of Europe against the innocence and naivete/foolishness of America as in the lady Isabel Archer in Portrait of a Lady and Chad in Ambassadors. But here it is more ambiguous. Also the refrain of because and the hyphens remind me, rightly or wrongly, of Dickinson's famous poem Because I could not stop for death, making the transit point like a carriage and Death being also like Tagore's Homecoming, a bit, a mystery in that it may be life in death, to put it in Coleridgean and Yeatsian terms.



Regarding faith, she is in a crisis and I already dealt with it. America has tried to deracinate her but affected her most in this matter of faith which is why this poem verges more on rebellious and blasphemous according to me than the faithful.


But the most interesting parts of the poem for me are not the questions of gender, identity, race, class and faith but of her ambivalent relationship to her own femininity or sexuality - shown by wanting a hair of the blonde woman, and the licking off of the fat and salt from her lips of chips, the cup near the seat, where thighs have sat, hers and hers and hers and body that is not like her body but unashamedly body - these and her ability to describe so beautifully make her poem a feat to admire than to analyze.





https://www.poesi.as/cv18020501.htm?fbclid=IwAR1chjwoWGG6TVqcOR23VXSeVIfHhOFdM4F7GsJVvjJIpQ2ATe6Z-Ltj5UA


Saturday, April 27, 2019

Glopowrimo 28

Glopowrimo #28 "The words of my roaring"
Here,
I said
I set up these lamps on the floor
diyas
with oil in them
and wicks
I light this imaginary candle
I set up candles
50 or more
290 or more
I will light them all
I myself will play the violins in the background
Let my tears faIl
I will put the flowers on the photos of the children
When they were killed was it not I who was killed?
I will make the memorial cards and keep them on the wall
I will hold the
night vigil alone
I will make the march
multiplying my heart, my grief, into a thousand shadow-people
I will people the streets of this city, this whole world, alone, with shades of the dead and the living dead
I will grieve alone
the glory of the vanquished reign
I will make poetry out of these imaginary things
the diyas, the candles, the flowers, the cards
the vigils, the prayers, the mourning, the marches, the candle lit processions
the shadows
all - that did not take place
I will announce the unspoken message to the world
not to fear the tangled skein of history
not to fear the new protectors
who cannot differentiate
between the terrorist and the innocent
who practise eye for eye
touch one of us
and we will ten of you
blood for blood
real blood
and the whole world blind
I will make my poem about a poem that is not a poem
made of things that do not exist except in words
will bleed silently unreal blood in pols with red sweat and tears
I will again ascend the cross
I will be killed
Was it not Easter, after all?
I will not ask why
I will not even answer back to the sky
(We can do greater things than these)
asking why have you forsaken us?
I will only allow my breath to run out
and this poem to bleed silently
I will become a Muslim
A Hindu
A Jew
A Buddhist
A Jain
A Sikh
An anything
to stop the killing
and the pain
while always remaining a Christian
and a poet
I will let my poem bleed silently
I will call it a house of cards
To stop the carnage
I will hold it up
fragile, and also build a sand-castle of a poem
I will call it a paper plane
I will call it a paper boat
I will call it an origami crane
But I will make the poem
fly and float
I will set up a white flag on the sand-castle
and protect it from the waves of the oceans
I will make the house of cards stand
I have poetry, that sleight of hand
Where are the dead?
Where were the mourners?
Where are the living?
Will we not all go into the same house in the end?
The house of death?
Why do some kill each other
and disturb the peace of the ones like me
who only want to write poetry
and ebb away like an outgoing tide
quietly
leave no mark behind?
Why do you make me roar like a tsunami
when all I want to do is drop like the breeze
a benison on your head?
Come out of the shadows, my faceless enemy
You, even you, I will still embrace
even though you do not understand me
and you will be turned into me or ashes
Are you not only the other side of me
and does not the same blood run in our veins?
Do we all not have mothers, fathers, brothers,
sisters, wives, children and memories of joy and sorrow that match?
Come with me again to the fields of our childhood and its beaches
Somehow may my poem reach you
and let us fly kites
not waste our lives
play marbles, collect shells
tag, you're it, hide and seek, doctor doctor, catch me if you can, hopscotch
children again
and not deal in grown-up lies
No angel exists
if not to help Life
No book is sacred
if not the Book of Life
Only Life is God
which is It as it is
Come, see my tears
and make each drop a pearl
Come, read this poem
made only of words.
I stand defenceless before you
a man of peace
Can you hear me call
across time and space
asking you to give up your anger, hatred, violence, weapons, groups,
twisted hermeneutics, cruel plans and ways
and embrace
the coming future
of Peace?
A meta-poem of an elegy for those who died in NZ, in the Easter bombings etc.

Glopowrimo 27 - based on Shakespeare's sonnets.

Shall I compare you to a summer's day
Though your eyes are nothing like the sun?
Let not the marriage of poetic devices play
To make this, my Shakespearean jaunt, anything but fun

Your hair reminded him of wires?
Tut, tut, that was a cruel simile.
Almost like throwing at you silver spears.
Later he makes it up, in a jiffy!

Poetry is not poetry, if no one reads it
Anymore than love is love, if it bends.
With the remover to remove - unfit!
Poetry, and love, should for the world's wounds make amends

Shake a scene or leg; be great, or wrap your player's heart in a tiger's hide.
Write poetry, love a woman or man, but make sure your verse and love doth abide!

Koshyshpere
Ampat Koshy: If you know of the seven types of ambiguity approaching the poem may become easier. The first note of ambiguity for me is what Arun Kolatkar means in the second line by saying that her insomnia may seep through the great walls of history. Does he mean women down the ages have insomnia? I think so. The use of "may" throws things a bit into confusion. Is she to be taken seriously or not? Now we come to the crux of the poem which is somewhat but not entirely patriarchal. She is lonely, as she has no one to spend time with her. Then we come to the key line about the spiked man who can be spiked as in a drink is spiked meaning drunken on alcohol or her and impaling suggests an act of force, but we are unable to decide if he is husband or lover or a random person, and it could even be rape. What the recipe signifies is anyone's guess coming immediately after. Her whimper being null and void suggests her insignificance and the insignificance of all women in a city and patriarchal set up. Further on 'darkling' refers to the nightingale in Keats, perhaps, and is child of dark suggesting perhaps her skin tone as well as how a woman perhaps made pregnant out of wedlock or by rape is seen by the doctors, maybe in India. Shoot up connects with spiked and impale with explode - are the doctors too not adding to the crime if she is being aborted? She 'may' still only damn man. She curses humanity by poisoning 23 cockroaches - is there a pun on cock and roach? - but at the same time maybe it suggests that she prefers humanity still despite everything, mistakenly, or not, due to being brainwashed or not, and not cockroaches that may survive a nuclear holocaust. To sum up, there may still be an undertow of disturbing patriarchy in the poem but it succeeds due to the use of ambiguity and 'undecidability' and indeterminacy in it (Marjorie Perloff's terms) that makes it cut both ways or many ways in terms of meanings it can generate in the minds of different readers. "Seven types of Ambiguity
1.The first type of ambiguity is the metaphor, that is, when two things are said to be alike which have different properties. This concept is similar to that of metaphysical conceit.
2.Two or more meanings are resolved into one. Empson characterizes this as using two different metaphors at once.
3.Two ideas that are connected through context can be given in one word simultaneously.
4.Two or more meanings that do not agree but combine to make clear a complicated state of mind in the author.
5.When the author discovers his idea in the act of writing. Empson describes a simile that lies halfway between two statements made by the author.
6.When a statement says nothing and the readers are forced to invent a statement of their own, most likely in conflict with that of the author.
7.Two words that within context are opposites that expose a fundamental division in the author's mind." I find most of these types of ambiguity at work here - should explicate more on that later



Friday, April 26, 2019

I don't think we read how-to-write-poetry books on its art and craft to learn how to DIY but to appreciate the writers of those books if they are able to make their books interesting. In the course of it we may or may not pick up some helpful tips on how to write poetry, but the aim of those writers is not exactly, I would think, to help us hone poetry writing skills but to show us how intention may be allied to performance and whether it can be said to have succeeded in terms of effect or affect on the reader, this leading more to questions of criticism and appreciation than of teaching how to write poetry. Learning of alliteration, assonance and consonance, for instance, and then reading of lines supposedly about the cooing of doves and the immemorial murmur of bees in elms, the aim is to make the reader ask is the alliteration done on purpose to imitate the sound of the thing mentioned and is it effective in how the reader perceives it being coincidental with the writer's intention, in which case the writer is said to have succeeded etc. This is of course a very new critical close reading approach and example I have given, but I was addressing a concern raised by Vivek that the writing of poetry is best learned by those reading lots of it, good examples, and not books on the art and craft of poetry. Neat divisions don't exist, so to end with, it is possible to learn by reading poems of masters and books on writing poetry just as it is possible to not learn how to write 'good' poetry, whatever that means to each individual, either way. I was reading the list of books presented, they all come from the West. Except for the one posted later by Vivek by Arvind Krishna Mehrotra. Having both written poetry and written a small pamphlet on how to write poetry found here "https://www.smashwords.com/books/view/222992", and read enough of poetry and of these books my own personal contribution is more than these books I have been helped largely by manifestos in trying to figure out a modus operandi to how to write poetry, or a strategy or an overall game plan, or even a specific way of approach or philosophy as to why one writes poetry and what or how so am putting some links here based on things I read that influenced me in my younger days.
https://www.societyforasianart.org/…/manifesto_futurista.pdf
https://www.tcf.ua.edu/…/SurManif…/ManifestoOfSurrealism.htm
http://writing.upenn.edu/libr…/Tzara_Dada-Manifesto_1918.pdf
http://writing.upenn.edu/libra…/Blast/Blast1-1_Manifesto.pdf - brilliant! 
http://www.languageisavirus.com/…/william-s-burroughs-cut-u…
(this last link is exquisite also for the generators making poetry redundant, despite the seriousness noticed in its practitioners these days.)
I am unable to include Ungaretti and Mandelstam as the pdfs are not on the net.
My list has the same problem which is it is also Eurocentric or American, except for link to my book and the rasa theory one but all the same I think going through these things has helped me a lot in framing welcome diversionary apperçus into poetry and out of it so I share it believing it may help others on the site too

Off prompt

I see the moon
in the pond's black night
I croon my poem
to its twin
I write these words
to no one
Only God reads
and the universe
I am content
The world deserves them not
Like red rose-petals that sway
blushing, at its touch
e'en in the lightest breeze
are my poems
I imagine
meeting
someone that sensitive
We will know from just looking
at each other
what kaajal lines our eyes
this night;
whether that of love, truth
tears or lies
The voices of
the speechless ones
will hold no secrets
for both of us
And when we hold hands
the silence of our laughter
will shake life's very
foundations.

Off prompt

fingers
always accusing
trying to subtly
point out faults
bring you down
when faced with them
turn on
tune in
drop out
so it is like
water off a duck's back

Glopowrimo #26 - 2

GLOPOWRIMO #26- 2
suddenly
one may think of me
that one
or that other one
one of those ones
who used to
visit me daily
spend so much time with me
but now
prefers not to
as there is nothing
anymore to be got from
it
suddenly
while dusting a table
with today's newspaper
or perhaps
at some sight
of someone
who looks a bit like me
suddenly
in some angle
of the light
or at some strain of music
a snatch of it
heard
through some open window
while passing by in a car
or the smell of a particular dish
suddenly
or the taste of some drink
or while pushing back a lock of her hair
and suddenly
I too may remember
and wonder
about someone else
I did that to, too
forgot
went away from
wanting to give nothing more
tired of giving
or having nothing more to give
or about the one that went away
the one who flew away
the one that got away
one went astray
one who flew east
or one who flew west
or one who flew over the cuckoo's nest
one went south
one went north
or why this circumlocution

of one not at rest
friend become stranger
or lover become ex
whether she thinks of me or not at all
suddenly, one moment
one fine sudden day

Glopwrimo 26

Glopowrimo #26
"There is none righteous, no, not one, all have sinned and fallen short of the glory of God."
Thou shalt not kill
Wrote God with his finger
On a clay tablet
And gave it to Moses
who came down
got angry, and immediately
made some of their own
kill others of their own
The sons of Levi
killed the other Israelites
for the sin of idolatry
while Moses broke the clay tablets
Thou shalt not kill
God wrote again
and gave it, this time
to Moses, in stone
engraved, so that
it could not be broken
and then they killed
and killed and killed
to capture what
Abraham had called
the Promised Land
Thou shalt not kill
said Jesus, to all
but after some years
of getting killed
Christianity
became the state religion of Rome
From being martyrs, they changed it
to being a religion of international killers, galore.
Thou shalt not kill
said Jesus to all
so they burned the witches
held the Crusades
massacred the Saracens and Turks
who killed back
over the Holy Land
hung the heretics
Catholics killed Protestants
Protestants killed Catholics and each other
All in the name of
Thou shalt not kill
Thou shalt not kill
even an ant
said Vardhamana Mahaveera
and Gautama Buddha, later
but Chandragupta Maurya
the Jain chakravarti
and emperor Ashoka
at Kalinga,
both gave the story
quite another twist
as does the fact
 that there are samurais who are senseis
in China, and in Japan
who are Buddhist monks.
Yes. Thou shalt not kill.
Thou shalt not harm
or hurt anyone
or anything
the ancient rishis
taught
in Mahabharath.
Thou shalt not kill
Thou shalt kill
said the Aryans
Kill the asuras
Kill the suryavanshis
So Rama killed
Ravana
Krishna helped Arjuna
to kill
Karna
Thou shalt not kill
Thou shalt not kill
Thou shalt not kill
an innocent soul
said the prophet Mohammed
Peace be on him
but the Mughals came
and killed the ones
who live in what is now
North India
Just or All the same
Thou shalt not kill
Time would end
if I kept on listing
Buddhists in Myanmar killing the Rohingyas
Jews in Germany killed in the Holocaust by Nazis
and in Russia killed in the pogroms by Orthodox Christians
Palestinians in Israel killed by the Jews
Hindus in Pakistan and Bangladesh who got killed
Muslims in India now getting lynched
Christians in Sri Lanka who just got bombed
Partition killings on both sides of the border
The British who killed Indians
The whites who killed the blacks and the aboriginals
who had earlier killed each other as tribals
Godse who killed Gandhi
Sikhs who killed Hindus and Muslims
Hindus and Muslims who killed Sikhs
Those gruesome riots
When Indira was killed
where Sikhs were killed
Communists who kill everyone else
Those everyone else who kill communists
Hindutva fanatics who killed Gauri, Passare and Dabolkar
Atheists who were killed
Atheists who kill others
China that kills

Thou shalt not kill

Animals killed
Birds killed
Trees and plants killed
Insects killed
Water, air, earth, fire, ether all killed, murdered and so the earth killed
Husbands who kill wives
Wives who kill men
Men who kill women
Children who kill parents
Parents who kill children
Families, tribes and clans
who kill each other
and others' families, tribes and clans
Rich who kill the poor
Poor who kill the rich
Caste-based killings
Honour killings
Serial killers
Random loss of temper or self-control killings
Revenge killings
Money-based killings
Suicides
Fratricides, matricides
patricides, pesticides
genocides, homicides
every other fucking -cides
Pakistanis who kill
Indians who kill
Armenian genocide
Serbian genocide
Syrian genocide
Bosnian, Herzegovnian and Latvian genocides
The Sri Lankan genocide
Governments that kill
Armies that kill
Nations that kill
Laws that kill
Law keepers who kill
The lawless who kill
The law breakers who kill
The outlaws who kill
The in-laws who kill
Everybody takes a side
Nuclear deaths
Hiroshima Nagasaki
World War I
World War II
Bhopal deaths
Chernobyl and Fukushima deaths
Thou shalt not kill
Everyone's a killer
Everyone kills
Thou shalt not kill
Thou shalt not kill
Thou shalt not kill
Thou shalt not kill
Thou shalt not kill
Thou shalt not kill
Thou shalt not kill
Thou shalt not kill

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